There are new features as well.Īudition now includes a media browser-a pane used to navigate to the audio and video assets on your drive. While many of Audition’s improvements harken back to Audition 3, the CS6 version isn’t simply an updated retread.
While you can do this with a separate application, it’s more convenient to do so directly within Audition. As for CD burning, there are audio editors who need to burn their projects in Redbook-compatible format. I also appreciate the ability to mute and unmute grouped clips. In these cases, the ability to group clips and move them as a single unit is welcome. I often use Audition to edit the Macworld podcasts and often I need to shift clips on separate tracks to the same amount of time. Like Audition 3 before it, you can group clips and burn CDs. Even at extreme settings I didn’t hear a lot of artifacts. However, for its intended purpose-to strip or add a few seconds to fit a commercial radio spot or video clip-Audition’s time-stretching technology works quite well. Monophonic and Polyphonic settings don’t change the pitch, they simply compress or expand time.Īs with other time-stretching technologies I’ve used, if you take this to an extreme-compress or stretch too much-the results won’t be pleasant unless you want the speaker to sound dangerously over-caffeinated or as if it’s attempting to shake off the effects of a rapidly consumed bottle of bourbon. Varispeed stretching also affects pitch-if you compress the clip, its pitch rises, if you lengthen it, the pitch falls-much as if you changed the speed on a tape recorder. There are three stretching modes: Monophonic is for a single sound (an instrument or spoken word track) Polyphonic is for multiple instruments and Varispeed is for when you want to change not only the clip’s length but also its speed. To use this feature, simply enable it, click on the Stretch triangle in the top right corner of the clip, and drag to the left to compress it in time, or drag to the right to stretch it. (A control surface isn’t required-you can just as easily use Audition’s on-board virtual mixer-but a control surface makes it easier to record multi-track automation in real time.) This feature worked as advertised.Ĭlip time-stretching has also returned. With such a device you can easily record changes to volume, pan, EQ, and effects as you mix, using standard read, write, latch, and touch automation settings. Working with control surfaces is enhanced by the program’s restored track parameter automation feature.
#ADOBE AUDITION CS6 PRO#
I additionally connected Roland’s Sonar V-Studio 100 to my Mac Pro and it too was able to control Audition. I don’t have a pro surface, but I was able to control Audition via Saitara Software’s $8 AC-7 Core app, which uses the Mackie protocol. If you have a control surface that uses the Eucon, Mackie MCU, or Logic protocols, Audition should respond to it. Regarding the restored missing features, among the most important for audio pros is support for control surfaces (hardware mixing boards used to control audio applications).
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